一现代中国绘画中的“写实”并非对自然的简单模拟。艺术创作要在继承前人优秀传统的同时,合理地借鉴和吸收外来艺术,以自然为师,并在自然与客观物象中获取灵感。继承传统而又有别于传统,吸收外来艺术而又有别于外来艺术,来源于生活而又高于生活,以此方法来进行写实性工笔画的创作应该是没有问题的。当然各个画家情况不尽相同,就是同一画家,在不同时期的创作观念和方法也是有区别的,不应一慨而论。 “Realism” in a modern Chinese painting is not a simple simulation of nature. While inheriting the excellent traditions of predecessors, art creation should draw lessons from and absorb foreign art reasonably, regard nature as a teacher, and acquire inspiration in natural and objective objects. It should be no problem to inherit the traditional but different from the traditional, absorbing foreign art but different from the foreign art, from life and higher than life in this way. Of course, the situation of each artist is not the same, that is, the same painter, different creative concepts and methods are different, should not be generous.