唐宋以降,中国绘画已不满足于外在形式的描绘,逐渐重视作品思想内涵的表达,注重画家综合修养,提倡诗书画结合。宋元时期,出现不少诗书画皆擅的画家,苏东坡、赵子昂、倪云林是其代表。明清之际,文人画盛极一时,诗书画三绝画家较多,著名的有扬州画派金农、郑板桥、李复堂等。海派画家吴昌硕、赵之谦更是诗书画印四绝,在晚清画坛上风光无限。民国继 Since the Tang and Song dynasties declined, Chinese painting was no longer satisfied with the portrayal of external forms, and gradually attached importance to the expression of the connotation of the works, paying attention to the comprehensive cultivation of painters and the combination of poetry, calligraphy and painting. During the Song and Yuan dynasties, many painters of poetry, calligraphy and painting appeared. Su Dongpo, Zhao Zi’ang and Ni Yunlin were their representatives. On the occasion of the Ming and Qing Dynasties, the literati paintings flourished for a time. There were more three painters of poetry, painting and calligraphy, including Jinnong, Zheng Banqiao and Li Fudang. Shanghai painter Wu Changshuo, Zhao Zhiqian poetry painting and calligraphy is more than four must, in the late Qing dynasty painting scenery infinite. Following the Republic of China