诗歌与音乐有着必然的联系,在中国音乐的历史中也体现了这一规律,如远古的六代之乐就是诗、乐、舞三位一体的表演形式。中国最早的一部诗歌总集《诗经》和中国第一部个人文集《楚辞》实际上更是经典的歌词集,因此,在中国的乐谱出现较晚、较少,同时记谱法更突出演奏者即兴二度创作的情况下,历代的诗歌可以被看作是追寻当时明确的音乐形态的重要佐证。具体到唐代诗歌,亦是如此。 There is an inevitable connection between poetry and music, which is also reflected in the history of Chinese music. For example, ancient music of the six generations is a form of performance of poetry, music and dance. China’s earliest collection of poems The Book of Songs and China’s first anthology “Chu Ci” are actually more classic lyrics collections, so scores appear later and less in China, while the notation is more prominent In the improvisation of two performers, the poems of successive generations can be regarded as important evidences for pursuing the clear musical form of the time. Specific to the Tang Dynasty poetry, is also true.