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聂伟主编复旦大学出版社2014年3月版爆发,转化,耗散。“第六代”概念及其指涉的导演群体与作品在两个十年之间历经三次转变,最终在新世纪的第十个年头走向热寂般的矛盾终结。如果说第六代导演的创作代表了一种蜕变的景观、一面告别的旗帜,那么这十年来海内外围绕他们的学术话语则可大体为其勾勒出从美学现象追踪到历史语境还原、从“经典化”到“去经典化”
Nie Wei editor Fudan University Press March 2014 version of the outbreak, transformation, dissipation. The concept of “Sixth Generation” and its referent director groups and works have undergone three changes between the past two decades, culminating in the end of the Teresa-like contradictions in the tenth year of the new century. If the creation of the sixth generation of directors represents a decadent landscape and a goodbye banner, the academic discourse surrounding them at home and abroad in the past decade can generally outline the process from the tracing of aesthetic phenomena to the restoration of historical context from “Classic ” To “To Classic ”