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中国电影在进入1930年代以前,总体上仅作为一种新奇娱乐而存在,社会影响力并不大。但在此后,其社会关注度却陡然提升,这主要是因为从1931年底开始相继上映了不少抗战电影。这些作品让观众感到了国难当头的危机,看到了家破人亡的悲剧,萌发了抗日救亡的情怀,堪称“电影抗战”的时代先声。一、创作概况1931—1932年接踵而至的两次国难(9·18事变和1·28事变),严重破坏了国计民生,也让电影产业受到重创——
Before entering the 1930s, Chinese movies generally existed only as a kind of novelty entertainment, and their social influence was not significant. But since then, its social attention has risen sharply, mainly because a lot of anti-Japanese films have been released since the end of 1931. These works made the audience feel the crisis of national crisis, saw the broken tragedy of the family and sprouted the feelings of resisting Japan and the country and saving the country. I. General Situation of Creation The ensuing two national tragedies (9.18 incidents and 1.28 incidents) from 1931 to 1932 seriously damaged the national economy and people’s livelihood and severely hit the film industry -