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傅山不仅为当时书法变革做出了巨大贡献,而且有其独特的书法理论也使明清时期书法发生了巨大变革。傅山借助其书法,不仅表达了其独特见解、与众不同的审美观,而且其个性也在书法艺术中得到了释放。傅山书法作品,技法层次上追求没有细部的雕饰刻画,没有构图的均衡和谐,体现了宁拙毋巧的艺术主张,让人感到刚键古拙之美。傅山书法作品不仅表现了其独特的书法艺术风格,而且也表现了他深沉与真挚、悲壮与神圣的感情。
Fu Shan not only made a great contribution to the calligraphic change at the time, but also had its unique calligraphy theory which made great changes in calligraphy in the Ming and Qing Dynasties. Fu Shan, with his calligraphy, not only expressed his unique opinion and distinctive aesthetic view, but also his personality was released in the art of calligraphy. Fu Shan calligraphy works, the pursuit of technical level without detail carving portraits, there is no composition of the balance of harmony, reflects the rather clumsy art advocates, people feel just the beauty of ancient keys. Fu Shan calligraphy not only displays its unique style of calligraphy, but also shows his deep and sincere, solemn and sentimental feelings.