我们必须学会以诗歌的名义说话。就是说,不是诗人的、个别的、偏狭的一己之见。在中国,诗歌已经到了这样一个时刻,它对任何古老遗产的脸谱化搬用或追随西方流行观念后亦步亦趋均不屑一顾,它毫不容情地把那些猎奇者、故弄玄虚者、哗众取宠者和 We must learn to speak in the name of poetry. In other words, it is not a poet’s, individual, narrow personal opinion. In China, poetry has come to such a moment that it dismisses the evils of any ancient heritage as it applies to or follows the popular Western conceptions. It is without any doubt that those curious, dishonest, sensationalist