2013年北京的话剧舞台上,时隔多年复排演出的《小井胡同》无疑是颇为引人注目的。当年由林连昆、谭宗尧、黄宗洛、任宝贤、王领、吕中等艺术家塑造的舞台经典,今日濮存昕、何冰们的演绎能否引起观众强烈共鸣;当年饰演小力笨的杨立新从演员变成导演,他又将对沉寂了二十多年的经典文本做出何种诠释,能否再现昔日荣光;时过境迁,年轻观众为主体的戏剧观众群,在已不同的文化语境中对《小井胡同》会有何等解读等等,都值得思考体会。《小井胡同》是剧作家李龙云的代表作,是他在南京大学师从陈白尘读研究生时的毕业作品,创作于上世纪八十年代初,带有强烈的自传色彩。全剧采 In Beijing’s 2013 drama stage, the “alleyway” of the alley, which lasted for many years, is undoubtedly quite compelling. The stage classic created by artists like Lin Liankun, Tan Zongyao, Huang Zongluo, Ren Baoxian, Wang Ling, and Lu Zhongzao today can provoke strong resonance among the audience. Today, actor Yang Lixin became the director, In turn, we can interpret the classic text that has been silenced for more than 20 years, and whether or not we can reproduce the glory of the past. The theater audience, whose time is changing and young audiences are the main body, How to interpret, etc., are worth thinking and understanding. Xiao Yuan Hutong is the masterpiece of playwright Li Longyun, a graduate of Nanjing University where he was a graduate student of Chen Baichen. He wrote his works in the early 1980s with a strong autobiographical color. The whole drama