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以往看到的小剧场演出(比如《绝对信号》、《车站》等),无论是三面观众还是四面观众,舞台与观众席界线分明,观与演的关系是十分明确十分鲜明的。它们一般都有平台作为小舞台,构成演员表演的基本场所;观众席与小舞台之间有着一定的间隔(虽然近在咫尺);观众席都由一排排排列整齐的椅子组成;演员表演一般不与观众直接发生关系。这在观演空间的组成方式上,确实比大剧场演出有了很大不同,但在观演界限和观演关系上,则基本没太大变化。这些小剧场演出,基本上仍保持着“你演我看”的欣赏特性。
Small theater performances (such as “absolute signal”, “station”, etc.) seen in the past have shown a clear distinction between the stage and the auditorium. The relationship between the concept and the performance is very clear. They generally have a platform as a small stage, constitute the basic venue for performers; auditorium with a small stage there is a certain interval (though close at hand); auditorium by rows of neatly arranged chairs; performers generally Not directly related to the audience. This composition of the performing space is indeed much different than the performance of the grand theater, but the performance boundaries and the relationship between the show, basically no significant changes. These small theater performances, basically still maintain the “you play I see” appreciation characteristics.