《劳马剧作三种:巴赫金的狂欢》与《错乱的影子:劳马剧作三种》中的六个剧本,皆具有阐释“经典作家与作品”的写作倾向与意图建构某种“小说-戏剧”共通性的启蒙意义。本文主要探讨这六种剧作中的如下问题:一、劳马戏剧线索与主题模式的建构;二、戏剧人物的处理;三、“问题剧”的选择和取材倾向。然后,从这些问题进而探讨劳马的写作意图和姿态、他所进行的他者的游戏与完成自我颠覆的艺术实验。 “Rauma drama three: Bakhtin’s carnival” and “shadow of confusion: Rauma drama three” in six plays, all have the interpretation of “classic writer and work” writing tendency and intention to construct a The Enlightenment Significance of the Commonality of “Novel - Drama”. This paper mainly discusses the following questions in these six kinds of dramas: First, the construction of Raoma’s drama clues and thematic modes; Second, the treatment of the dramatis personae; Third, the selection and drawing tendencies of the “drama”. Then, from these questions, I further discuss Rauma’s intention and attitude of writing, the game of the others and the art experiment that accomplishes self-subversion.