收藏改变不了老绣片的命运,但在露易丝的艺术作品里,为它们找到重生的机会和价值。“欢迎进入我的古董世界。”听见声响,正趴在白墙上“刺绣”的露易丝·萨克斯顿(Louise Saxton)转过身来,甩了甩快要僵硬的手臂露出满脸笑容,在她身后,一只全身通红的火烈鸟已具雏形,阳光在白墙上为它留下动人的阴影。在墙壁上“刺绣”?这看上去有些不可思议,但正是露易丝作品的独到之处。 Collection can not change the fate of the old embroidery, but in Louise’s works of art, for them to find the chance and value of rebirth. “Welcome to my world of antiques. ” Hear the sound, lying on the white wall “Louise Saxton ” embroidery “turned around, dumped the fast stiff arm exposed Face smile, behind her, a full-fledged flamingo has a prototype, the sun on the white wall for it to leave a moving shadow. ”Embroidery" on the wall? This may seem weird, but it is what makes Louise unique.