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电视专题片在整个电视节目中始终占据重要的位置。从20世纪60、70年代这种艺术形式确立开始,专题片走过了一条漫长而曲折的道路:主题先行的报道体,注入强烈主观色彩的文学体、政论体,追求浑朴自然效果、坚持跟踪采访的客观纪录体等等。在这几种样式中,都曾出现过优秀之作,并曾分别把摄影、解说词和采访人的作用发挥到可观的程度。在众多节目类型的发展、演进、裂变、新生的过程中,专题片的创作虽历经几度兴衰几度沉浮,但终以其真实的手法、多种艺术手段的综合运用而保持着生命力,并有了发展。
TV feature films always occupy an important place in the entire television program. Beginning with the establishment of this art form in the 1960s and 1970s, the feature film has undergone a long and tortuous path: the subject-first report body, the strongly subjective body of literature and politics, the pursuit of simple and natural effects, and the persistence of follow-up Objective record of interviews and so on. Out of these styles, excellent works have appeared, and the functions of photography, commentary and interviewers have been shown to a considerable extent. In the course of the development, evolution, fission and new life of many types of programs, the creation of feature films has experienced several ups and downs of ups and downs for several times, but it has maintained its vitality through its comprehensive use of various techniques and techniques With development.