论文部分内容阅读
广义之花鸟画,现今已涵盖所有以动植物为对象之画。人虽为万物之灵,但向与动植物亲和,并以之比于人,以之兴情慨。自《诗》三百篇《关雎》起,中国诗文书画莫不如此。广义之写意,乃情感之宣泄、精神之表现,非仅指画法简练者也。故写意与花鸟画最为相通相谐。以如倾如泄之笔致挥写物之意象,抒发人之怀抱,且臻得心应手、得意忘言之境者乃真写意。当今中国画坛,不乏写意花鸟高手,但人隔山河、各居南北,虽信息便达而未能聚议。今请诸高手齐集京华,茶叙间畅其欲言,联袂共兴吾中华写意花鸟画之精神,是为“花鸟画与写意精神”沙龙之旨趣。
Bird and flower painting in a broad sense, now covers all animals and plants as the object of the painting. Although the human spirit of all things, but to animals and plants and affinity, and to the ratio of people, with the feelings of emotion generous. Since the “Poem” 300 “Guan Yu”, the Chinese poetic painting and calligraphy are not the case. In a broad sense, it is a manifestation of emotion and a manifestation of the spirit. Therefore, the most intentions and flowers and birds painting the best harmony. To write like a pouring pen to write the image of the object, to express the embrace of the people, and Zhen handy, proud to forget the real person who is real meaning. In today's Chinese painting society, there are many freehand masters of flowers and birds, but people are separated by mountains and rivers and live in different places. Although the information is up to date, they can not get together. Now invite all the masters gathered in Jinghua, the tea room to speak its own words, together Xing Xing Wu Chinese freehand flower and bird painting spirit, is “flowers and birds painting and freehand spirit ” Salon of interest.