国产影片中,甚少以季节为舞台的,这种唯美是属于日韩系的唯美,伤感也是属于日韩系的伤感,清新与纯爱,文艺与风格,影片在韩国导演金世勋的镜头中,一点点的丰满起来。其实,这种季节利用更多的是对故事的情绪起推动作用。影片的呈现极其符合这种对往昔的追思需求,时刻呈现的MV的画面风格,也让在故事进程中,突然出现的歌剧场景有了情有可原的出处——其实这个片段设计是完全独立于情节之外的,之所以嵌入,暗自揣度,大抵源自曾是韩国最成功的MV导演金世勋的个人情结,“没那么简单”虽未必那么复杂,总归是承载了一种情绪的宣泄:故事中的角色是深感爱情的无望,而故事外的观众,则是在并不激烈的剧 Domestic films, seldom season for the stage, this aesthetic belongs to Japan and South Korea Department of aesthetic, sad also belongs to Japan and South Korea’s sad, fresh and pure love, art and style, the film director Kim Se-hoon in South Korea’s lens, A little bit plump up. In fact, more use of this season is to promote the emotion of the story. The presentation of the film is very much in line with this kind of recollection of the past needs, moment MV picture style, but also in the story of the process, the sudden appearance of the opera scene with a plausible source - in fact, the fragment design is completely independent Outside the episode, the reason why embedded, secretly guess, probably originated from South Korea has been the most successful MV director Kim Se-hoon’s personal complex, “not so simple ” Although not necessarily so complicated, always carry an emotional catharsis : The role of the story is deeply hopeless love, and the audience outside the story, it is not drastic drama