《都柏林人》这部短篇小说集自问世以来大多被评论者划入现实主义一类,但作品中使用的叙事策略:第一及第三人称有限视角的大量使用,不同视角间的频繁转换,以及对于叙述声音的控制,证明作品中的叙述主体有悖于现实主义小说传统,是一个退居幕后的、现代性的叙述者。 Most of the “Dublinian” short stories since their introduction have been classified as realists by commentators, but the narrative strategies used in the works include the extensive use of limited first- and third-person perspectives, frequent conversions between different perspectives, and For the control of the narrative voice, it proves that the main body of the narrative in the work is contrary to the tradition of the realistic fiction and is a modern narrator behind the scenes.