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民国初期,北京作为全国文化艺术的中心,成为讨论中国传统绘画如何存续、发展的中心。文章结合史实,对民国初期北京地区美术社团及美术学校中中国画教学的状况及教学成果进行梳理,从宗旨目标、导师学员、教学方式、教学内容、教学成果诸方面,比较二者之异同,进而让人们对当时国画教育状况及特点有所了解。可以说,民国初期北京的国画社团及美术专门学校中的国画教育,奠定了中国近现代国画教育的基础,为20世纪中国画人才培养提供了教学模式和参照,同时也为中国画教育的现代化做出了贡献。
In the early Republican China, Beijing, as the center of national culture and the arts, became the center for discussing how the traditional Chinese painting survived and developed. Combining with the historical facts, this article combs the situation and teaching achievements of Chinese painting teaching in art associations and fine schools in Beijing in the early Republic of China, and compares the similarities and differences between the two in terms of aims, mentors, teaching methods, teaching contents and teaching achievements Let people understand the status and characteristics of traditional Chinese painting at that time. It can be said that in the early period of the Republic of China, the Chinese painting associations in Beijing and the art education in the schools of fine arts laid the foundation for the education of modern Chinese painting in modern China. It provided a teaching mode and reference for the cultivation of Chinese painting talents in the 20th century and also made the modernization of Chinese painting education Contribute.