论文部分内容阅读
以一座城的微观来体现时代的宏观,这种记录的过程本身就是一种艺术和历史,不管是付诸笔端,还是拿起镜头。生动而苍茫,或许就是如今消费至上的时代写照。8月9日晚在上海时尚中心Corso Como的顶层画廊,媒体人丁天邀请了摄影艺术家马良和导演程亮组了一个文化沙龙,大家一起说一说“镜头中的上海”。在一个情感回归的时代,我们需要一种情怀,这种情怀在如今讲究效率与实用的大环境下,愈发显得珍贵。特别是我们如何理解身处的这座城市,是执念过去、珍惜现在还是展望未来,都是我们自身价值观在这座城市的投射。就像卡尔维诺小说《看不见的城市》中的主角马可·波罗给成吉思汗描述他去过的各类城市,其实都糅合了他的家乡——
In a microcosm of a city to reflect the macro era, this process of recording itself is a kind of art and history, whether it is put pen to paper, or pick up the lens. Vivid and vast, perhaps is now portrayed the era of consumer supremacy. On the evening of August 9, at the top floor gallery of Corso Como, Shanghai Fashion Center, Ding Dian invited the photography artist Ma Liang and director Cheng Liang to set up a cultural salon. Let’s talk about “Shanghai in the Lens”. In an era of emotional return, we need a feeling that is becoming more and more precious in today’s environment of efficiency and practicality. In particular, how we understand the city we live in is a reflection of the past, cherish the present or the future, are our own values in this city projection. Like the protagonist Marco Polo, the hero of Calvino’s novel “The Invisible City,” the various cities he had described to Genghis Khan in fact blended his hometown -