解放区的木刻是一个特殊的画种,也是一段具有特殊意义的美术史。它是新中国现实主义美术的主要源流。今天,当我们重新翻看这些创作于半个世纪以前的作品时,仍然受感染,受启发,受教育。这些作品又一次向我们的艺术家昭示:只有贴近生活、贴近现实,发于真情的作品,才会富有永久的感染力。《明朗的天》这本木刻集的出版,不仅仅是对某一画种历史资料的搜集梳理,不仅仅是对某一段美术史的回顾与思考,而且,它对当下美术 The woodcut in the liberated area is a special type of painting, but also a history of art with special significance. It is the main source of New China’s realist art. Today, when we look back at these works that were created half a century ago, we are still infected, inspired and educated. Once again, these works make clear to our artists that only those works that are close to reality, realistic and truth are full of lasting contagion. The publication of “The Clear Sky” is not only a collection of the historical materials of a certain kind of painting, not only the review and reflection of a certain period of art history, but also the current art