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本文以仪式音声中音声声谱的探究为对象,讨论“默声”作为整体声谱的一个重要的部分,其研究的必要性和可行性,并以作者自身的实践,讨论音声民族志的体验问题。
This dissertation takes the exploration of sound spectrum in ritual sound as object, discusses the necessity and feasibility of “silent sound ” as an important part of sound spectrum, and discusses the sound ethnography with the author’s own practice Experience of the problem.