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电影音乐在影片中有着丰富的审美空间。配乐的创作和审美目的都应以电影的审美表现力为核心。同时,配乐也具有相对独立的审美价值。在现代电影中,创作者越来越重视电影配乐在影片中的审美独立性。它不但能拓展和丰富影片的艺术空间,其本身也是观众最重要的审美客体之一。本文从“纯音乐”的审美向度、音画对立中的音乐独立性以及审美记忆中相对独立的音乐形象三方面,分析电影音乐的相对独立性。
Film music in the film has a rich aesthetic space. The creative and aesthetic purpose of soundtrack should be based on the aesthetic expression of the movie. At the same time, the soundtrack also has a relatively independent aesthetic value. In modern movies, creators pay more and more attention to the aesthetic independence of film soundtracks. It not only expands and enriches the artistic space of the film, but also is one of the most important aesthetic objects of the audience. This article analyzes the relative independence of film music from three aspects: the aesthetic orientation of “pure music ”, the independence of music in the opposition of music and painting, and the relatively independent image of music in aesthetic memory.