版画之于我有着永远解不开的情结,特别铜版画更是我的最爱。三十年的生活积淀,眼中的现实世界都收进了我那狂野而又单纯、朴实的版画天地。那独特的版画语言,那些凸起的线条、凹下的斑点以及妙不可言的意外效果,像一个神秘的场,诱惑我沉湎其中。 我在工厂生活了近十年,永远忘不掉的是沉重的机器、黝照的厂房、让人发疯或麻木的嘈声,还有包裹在油渍渍的工装中淳朴的工人。那时的生活单调压抑,但留下的都是野性的、质朴的、强有力的、涌动红色暗流 The engraving has always had an indelible connection to me. In particular, copper engraving is my favorite. Thirty years of life accumulation, the eyes of the real world are incorporated into my wild and simple, simple print world. That unique print language, those raised lines, sunken spots and fantastic accidental effects, like a mysterious field, tempt me to indulge them. I have lived in the factory for nearly a decade, never forgetting heavy machinery, darker factory buildings, crazy or numb noise, and honest workers wrapped in grease stains. At that time, life was monotonous depression, but left are wild, rustic, powerful, surging red undercurrent