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忍下新亭闲涕泪,夕阳明处乱鸦翻。——施蛰存林世荣为施蛰存老先生制作的这帧书票,初见就很眼熟。鹤纹古瓦当的造型所赋予的祥瑞,大概是每个国人都看得明白的。书票作于上世纪九十年代末,是时施蛰存先生已近期颐之年,正迎来他人生中最后一段的辉煌。云卷云舒,浪起浪落,把蛰伏在海底几乎被遗忘的彩贝,又重新翻到了岸上。当二十世纪八十年代的年轻人以手捧艾略特的《荒原》、海聊乔伊斯的《尤利西斯》而竞相为荣时,他们突然
Endure the new booth leisurely tears, the sun sets chaos crow turn. - Shi Zhe Cun Lin Shirong for Mr. Shi Zhecun old book produced this book, first see very familiar. The auspiciousness given by the ancient Wadang style of crane pattern is probably understandable by every Chinese people. Book tickets for the late nineties of last century, Shi Shicun Shi Shi has been the recent years, is ushering in the last period of his glory. Clouds cloud Shu, waved waves, the dormant almost forgotten color shellfish on the seabed, and turned back to the shore. When the young men of the 1980’s were proud of Eliot’s “wasteland” and the sea talking about Joyce’s “Ulysses,” they suddenly