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作为俄罗斯的伟大诗人,普希金在中国可以说已家喻户晓。人们知道他诗写得好,小说写得好,童话和戏剧也写得好。但除此之外他还有很高的绘画天赋,这一点我国知之者恐怕就不多了。和许多贵族子弟一样,普希金自幼受到良好教育,尤其在他进入沙皇政府专门为培养贵族子弟而设的皇村学校后,更是受到了全面的教育。美术当然是不可或缺的一门课程。我们在如今已辟为普希金纪念馆的当年皇村学校的陈列品中,就能见到诗人的图画作业。他的绘画天赋在尔后的文学创作中得到了充分发挥。在俄国,普希金的绘画作品首次在出版物出现,是在他死后的那一期《现代人》杂志(他是该刊物的创办人)上。那一期《现代人》刊登了诗人的诗篇《隐居的神父和贞洁的修女》(该诗译文见浙江文艺出版社1997版《普希金全集》
As a great Russian poet, Pushkin can be said to have become a household name in China. People know him well written, well-written novels, fairy tales and plays well written. But in addition he still has a high painting talent, which I am afraid that I know not much. Like many aristocrats, Pushkin was well educated at an early age, especially after he entered the imperial school set up by the Tsarist government to nurture noble children. It was even more fully educated. Art is of course an integral course. We can see the works of the poets in the exhibitions of the imperial village school that was now the Pushkin Memorial Hall. His painting talent has been brought into full play in later literary creation. In Russia, Pushkin’s paintings appeared for the first time in publications in the period after his death, “Modern” magazine, in which he was the founder. That period of “modern” published the poet’s poem “seclusion priest and virginity of virginity” (translation of the poem see Zhejiang Literature and Art Publishing House 1997 edition “Pushkin Complete Works”