当代学者大都认为工笔画概念是由民国时期的金城提出的。所谓“工笔”是针对西画而言的。当代工笔画的发展呈现出了多样化的发展路径,但大致可以划分为两种脉络:一脉为传承传统文艺精髓进行革新;另一脉则借鉴东方艺术风格样式、西方现代主义、后现代主义思想与风格样式进行探索性实验。多元化的发展路径虽然一方面体现出当代艺术发展的开放性,但另一方面,亦暴露出一个重要的问题,即其在发展道路上缺乏一个鲜明的立场原则。我认为,当代中国工笔画应继承传统文化精髓,这是工笔画发展的根基。因此,相关工笔画家 Most contemporary scholars think that the concept of painting is proposed by Jincheng of the Republic of China. The so-called “Meticulous ” is for Western painting purposes. The development of contemporary fine brushwork presents a diversified development path, but it can be roughly divided into two kinds of threads: one is to carry forward the essence of traditional literary and artistic innovation; the other is to draw on styles of oriental art, western modernism and postmodernism Thinking and style of style exploratory experiment. On the one hand, it shows the openness of the development of contemporary art. On the other hand, it also reveals an important issue. That is, it lacks a clear principle of position on the development path. In my opinion, the contemporary Chinese painting should inherit the essence of traditional culture, which is the basis for the development of the painting. Therefore, related to the artist