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《一个人的战争》是林白长篇小说的代表作,在《一个人的战争》中,林白多次描写到幽灵、鬼魂等意象。无独有偶,在日本当代小说家吉本芭娜娜的自传体小说集《尽头的回忆》以及轰动一时的代表作《厨房》中,也屡屡涉及幽灵的意象。在不同文化背景下的两个不同写作风格的女作家,在运用相同意象次数的背后有着怎样的差异?本文将针对此问题展开简要分析。
“One Man’s War” is a masterpiece of Lin Bai’s novels. In “One Man’s War”, Lin Bai repeatedly described such images as ghosts and ghosts. Coincidentally, in Japan’s contemporary novelist Gibbonanana autobiographical novel “End of Memories” and the sensational “masterpiece” kitchen, often involving ghost images. In the different cultural backgrounds of two different writing styles of female writers, the use of the same image behind the number of what is the difference? This article will be a brief analysis of this issue.