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两届京剧电视大赛,确实对振兴京剧,弘扬民族文化,激励演员苦练基本功提高技艺水平,繁荣演出,丰富剧目,不断创新展示人材,起到极大的推动作用,成绩斐然令人感到鼓舞、兴奋。但也绝非完美无缺。为了使大赛健康发展下去,涌现更多德艺两馨的优秀人材,必须进一步认真总结经验,把握正确方向。尽人皆知:“戏不离技”“离戏艺不惊”,这是我们传统艺术可贵之处。它道出了戏技结合技为戏服务的真谛。然而在此届演出中,确有单纯卖弄技巧之弊。《艳阳楼》高登文场不错,颇有厉派风范。但开打中持大刀翻
The two Peking Opera TV series are really encouraging achievements in rejuvenating Peking Opera, carrying forward the national culture, stimulating the actors to hone their basic skills, improving their skills, performing well, enriching the repertoire, and continuously innovating and displaying their talent. Excited. But it is by no means perfect. In order to make the competition go well and emerge, there are more outstanding talents of two virtues and two arts, we must further conscientiously sum up experience and grasp the correct direction. Everyone knows: “play without a break” “from the drama is not scared”, this is our valuable valuables of traditional arts. It tells the truth of the service combined with drama and drama. However, in this session of performance, there are indeed disadvantages of showing off skills. “Sunny House” Gordon Wenchang good, quite Li style. However, open a knife in the open turn