有什么样的格局就有什么样的人生,方土的艺术空间是别处的生活。在员村红专厂,穿过城中村雨后略带泥泞的小路,从窄小的行人入口一拐进来,身心倍觉清凉:巨大的老榕树在雨后轻舒枝叶,间或还听到了久违的鸟叫声。我放慢脚步寻找红专厂E15,面前赫然出现了一间上世纪50年代的苏式厂房,门口还摆放着工厂废弃的重型机器,以及画家方土从各地搜寻回来的石雕。很多来往的行人和衣着摩登的模特在围观拍照,这就是方土在红专厂的另一个家。有些画家画的是一个世界,生活却又在另一个世界,方土的选择是身心与空间交融的统一。 What kind of pattern is there any kind of life, the earth’s art space is the life elsewhere. In the village of Hong plant, through the village after the rain slightly muddy path, from the narrow entrance of the pedestrian come in, physically and mentally feel cool: huge old banyan trees in the rain after the light Shu foliage, or also heard a long absence Bird sounds. I slowed down to find the red factory E15, appeared in front of a Soviet-style plant of the 1950s, the door also placed the factory abandoned heavy machinery, and painter Fang Tu search back from around the stone. Many pedestrians and modern clothing models in the crowd taking pictures, this is the other side of the clay plant in Hong. Some painters draw one world, while living in another world. The choice of earth and soil is the unification of body, mind and body.