“文革”后七八十年代是中国动画再度发展的一个黄金时期,在这一阶段,中国动画逐步摆脱“文革”错误创作倾向带来的阴影,沿着民族化的发展道路继续向前,在作品数量和质量方面都取得了一定的成就,产生了多部具有鲜明民族特色的佳作。但同时由于经济体制的改革,市场逐步放开,国外动画的进入对中国动画产生了巨大冲击,中国动画剧作中某些根深蒂固的痼疾也渐渐暴露出来,成为制约发展的羁绊。 After the “Cultural Revolution” in the 1970s and the 1980s, the golden period of the re-development of Chinese animation was a time when Chinese animation gradually shunned the shadow of the erroneous creation tendency of “Cultural Revolution” and continued along the path of nationalization development In the past, some achievements have been made in the quantity and quality of works, which have produced many outstanding works with distinct national characteristics. However, at the same time, due to the reform of the economic system, the market has gradually been liberalized. The entry of foreign animation has had a huge impact on Chinese animation. Some deeply rooted chronic diseases in Chinese animation play have gradually become exposed as a constraint to development.