巴赫的《D小调双重协奏曲》世上共有多少个版本,恐怕是连最权威的唱片指南也数不清吧！而在这数不清的版本中,除了海菲兹在50年代早期曾经以一个人两次分别演奏不同声部的那个版本显得与众不同之外,另一个问世更早也更别出心裁的版本当数由两位小提琴家在40年代以爵士乐方式演奏的录音了,它因其一扫几百年来人们对此曲的欣赏习惯,尽显爵士乐所特有的即兴活泼的个性而被人深深地镌刻在脑海之中。 How many versions of Bach’s “Double Concerto Concerto in D” world, I am afraid that even the most authoritative record guide also countless! And in this innumerable version, in addition to the difference that Heifeiz used to be in the early ’50s when one person played two different voices separately, the other came out earlier and more ingenious The number of recordings performed by two violins in jazz in the 1940s was deeply rooted in the sweeping habits of hundreds of years of their appreciation of the song and the jazz-specific, Engraved in mind.