近年来,社会需求的现实推动,让雕塑家们很活跃,纷纷投入到探索雕塑艺术表现的多种可能性中。一时间,各种手法不断地被应用在雕塑创作上,也出现了不少颇具创意的好作品。但是我们也应看到,在一派繁荣的景象中也存在许多负面因素。有些雕塑家过分强调设计性的“新奇形式”之开发,而忽视了雕塑本体和雕塑语汇的深入思考,有不少作品成为图案设计的“立体标本”而已。此外,许多雕塑家对中国传统雕塑语言的现代转化重视不够,对西方雕塑语汇的民族化转换也认识不足,其作品既不能放在世界艺术格局中确证自身,又不被民族文化所认可,更经不起时代精神总体指向的考量。今天,想就当下的雕塑现状请大家结合自己的创作实践,谈谈对雕塑的认识和体会。 In recent years, the reality of social needs has pushed sculptors to become active and have devoted themselves to exploring the many possibilities of sculptural performance. For a time, a variety of techniques are constantly being used in sculpture creation, there have been many creative works. However, we should also see that there are many negative factors in the prosperity scene. Some sculptors overemphasize the development of the design novelty form, while neglecting the in-depth reflection of the sculpture body and sculpture vocabulary. Many works have become the “three-dimensional specimen” of the pattern design. In addition, many sculptors pay little attention to the modern transformation of traditional Chinese sculpture language and lack of understanding of the national transformation of western sculpture vocabulary. Their works can neither confirm themselves in the world art nor be recognized by ethnic cultures, Can not stand the consideration that the spirit of the times points to. Today, I would like to invite you all to combine your own creative practice with the present status of the sculpture and to talk about the understanding and understanding of the sculpture.