11月2日,《Open Books—艺术家与他们的中国册页》展览开幕,打开了60多本古今中外的册页,呈现众相缤纷。“传移摹写”是中国书画艺术的一种学习与感悟的方式,也是一种传承的途径。册页正是这种方式和途径的载体。在传移摹写间是有一种风雅的。然而,中国书画艺术陷入在传统文化被消失,优质的文化还未形成,外来文化不断被共享的空间里,当代中国艺术家的“风雅”何在?或可在?或有必要在吗?对于这些问题的回答,我们还在等待。我们也必须等待。 On November 2, the “Open Books - Artists and Their Chinese Album” exhibition opened, opening more than 60 albums from all over the world, presenting colorful scenes. “Transference and Replica” is a way of learning and comprehending Chinese calligraphy and painting and also a way of inheritance. The album is the vehicle for this approach and approach. There is a grace between the transfer copy and copy. However, Chinese painting and calligraphy art is trapped in the space where traditional culture has disappeared, the fine culture has not yet formed, and the foreign culture is constantly being shared. Where is the contemporary Chinese artist’s “elegance”? Or may or may not be? The answer to these questions, we are still waiting. We must also wait.