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(一)距离的控制在余华的小说里主要表现为不动声色的冷漠叙述。余华笔下的世界是躁动不安的,暴力、死亡、癫狂、欲望、宿命等构成了余华先锋小说永恒的母题。然而,余华的叙述方式却是极为冷漠的,以至于余华被广泛地认为“血管里流的不是热血,而是冰渣子”。现代小说修辞学的理论开拓者布斯在其论著《小说修辞学》中,根据作者与作品的关系将小说的叙述方式分为人格化的叙述和非人格化的叙述两种。人格化的叙述指的
(A) the control of distance in Yu Hua’s novels mainly manifested as indifferent narrative. Yu Hua pen world is restless, violence, death, madness, desire, fate, etc. constitute the eternal theme of Yuhua pioneer novel. However, Yu Hua’s narrative style is extremely apathetic, so that Yu Hua is widely held that “the blood vessels are not blood, but ice dregs.” In his treatise “Novel Rhetoric”, Booth, the pioneer of rhetoric in modern novels, divides the narrative style of the novel into two types: personal narration and impersonal narration according to the relationship between author and work. Personified narrative refers to