当下的中国油画创作在消费浪潮的席卷之下,早已丧失了80年代初的批判精神和悲剧意识。90年代以来的中国油画市场的繁荣很大程度上掩盖了其商品化、去政治性、弱思想性的实质。在此背景下,有着崇高精神追求的画家们显得格外孤独。李贵男坚持把崇高的审美精神作为绘画的核心精神,因而与各种流行画风拉开了距离。他的油画人物总带给人一种令人惊奇的冲突感,这种冲突感不仅表现在形式语言上,也 Under the sweeping wave of consumption, the contemporary Chinese oil painting creation has long lost its critical spirit and tragic consciousness of the early 1980s. The prosperity of the Chinese oil painting market since the 90s has largely masqueraded its commercialization, its political and weak ideological substance. In this context, painters with lofty spiritual pursuits are particularly lonely. Li Gui-nan insisted on the sublime aesthetic spirit as the core of painting, which opened up a wide range of popular style. His oil paintings always give people a sense of a sense of conflict, not only in the sense of conflict in formal language, but also