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所谓文学作品的审美本体,就是文学作品的审美存在方式。所有文学理论与文学批评的共同目标都在于希望能够对文学作品作出科学的解释,从古希腊先哲们的智慧洞见到晚近的女权主义批评意识,莫不如此。所谓解释作品,就是从这样那样的角度在文学作品中发现一些被认为是有意义的方面,并对这种意义作出解释,也就是说,批评与理论在文学作品中寻找到这样一些方面,这些方面不但阐明了作品自身的结构与内容,而且表明了作品自身的价值与意义,这些方面也就构成文学作品的审美本体。
The so-called aesthetic body of literary works is the aesthetic existence of literary works. The common goal of all literary theories and literary criticism lies in hoping to make a scientific explanation of literary works. From the wisdom of ancient Greek philosophers to the recent awareness of feminist criticism, it is all the more so. The so-called interpretations of works, from such perspectives, find some aspects that are considered as significant in literary works and interpret this meaning, that is, criticism and theory find such aspects in literary works as these Aspects not only clarify the structure and content of the work itself, but also show the value and significance of the work itself, these aspects also constitute the aesthetic body of literary works.