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本文从信仰与现实、民族与正义、传统与现代等三个方面,对柯达伊《小弥撒曲》(Missa Brevis)的社会文化内涵进行了探讨。柯达伊借助弥撒曲体裁及其音乐语言所具有的宗教文化意义,表达了一位虔诚的天主教徒和富有强烈正义感的艺术家,在面对现实的苦难和国家政权的非正义行为之时,内心的痛苦与愤恨,忏悔与祈祷。其音乐创作善于吸收和借鉴多元文化资源,在传统基础上开拓创新,重视民族性却又避免狭隘的民族主义观念。作品对我国当代音乐发展也具有启示和借鉴的意义。
This article discusses the social and cultural connotation of Kodaly “Missia Brevis” from three aspects: faith and reality, nation and justice, tradition and modernity. With the genre of Massachusetts and the religious and cultural meanings of its musical language, Kodak expressed a devout Catholic and an artist full of strong sense of justice. In the face of the reality of misery and injustice of state power, Kodaly expressed his heart Pain and resentment, repentance and prayer. His music is good at absorbing and borrowing multicultural resources, pioneering and innovating on the basis of tradition, paying attention to nationality while avoiding narrow nationalist concepts. Works also have enlightenment and reference significance for the development of contemporary Chinese music.