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我相信,任何存在的建筑形式都可注释其背后潜在的文化结构。目前,对《周礼·考工记》中所给出的“王城理想模型”(图1、2)的分析,从建筑语言学的角度来说,还仅仅停留在表层结构上(图3),本文旨在探寻其潜层结构,即从其文化隐义的层面上,找出形成这个理想模型的文化基因。近年的研究判定,中国的远古存在着一元的太阳神崇拜。中国古代至尊的称号——皇、昊、神、华都与太阳神崇拜有关。黄帝的本意就是光明之神,或日光帝,亦即太阳神(参见何新著《一神三身的皇帝》)。研究还表明,中国古代艺术中,
I believe that any existing architectural form can annotate the underlying cultural structure behind it. At present, the analysis of the “Wangcheng Ideal Model” (Figures 1 and 2) given in the “Zhou Kao Gong Ji Ji” is still limited to the surface structure from the perspective of architectural linguistics (Figure 3). The purpose of this paper is to explore its latent structure, that is, to identify the cultural genes that form this ideal model from the hidden aspects of its culture. Recent studies have determined that there is a one-dollar sun god worship in ancient China. The title of China’s ancient supreme - the emperor, the monk, the god, and the Huadu are all related to the worship of the sun god. The original intention of the Yellow Emperor was the God of Light, or Emperor Guangdi, also known as the Sun God (see He Xin’s “The Emperor of One God”). Research also shows that in ancient Chinese art,