三十年代初期,悲鸿先生在南京前中央大学艺术系教学的时候,他在傅厚岗有间画室。“九一八”事变以后,他对国民党反动派的腐败和丧权辱国表示极大的愤慨,他认为这里终非久居之地,因而把画室命名为“危巢”。此后不久,他愤然把自己珍藏的书画,全部带到广西。并在广西报上发表声讨蒋介石的文章。在此之前,悲鸿先生在画室里经常悬挂 In the early 1930s, Mr. Beihong had an art studio in Fu Hougang while teaching at the Art Department of the former Central University in Nanjing. After the September 18 Incident, he expressed his great indignation over the corruption and humiliating humiliation and dishonors of the Kuomintang reactionaries. He considered it a place that had not been inhabited by the United States for a long time and therefore named the studio “a dangerous place.” Shortly thereafter, he angrily put all his collection of paintings and calligraphy, all brought to Guangxi. And published an article in Chiang Kai-shek that denounced Chiang Kai-shek. Prior to this, Mr. Beh Hung often hanging in the studio