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本文试图运用系统科学方法对艺术魁力的复杂现象作出新的探讨,认为艺术魁力是一个发生学的概念,它不是文艺作品的纯粹客体属性,而是审美系统运动的产物,它的实现是一个生成的过程。因此,认识艺术魁力的复杂现象就必须深入揭示审美系统运动的内在机制。文章首先对艺术魁力进行内涵结构描述,进而对审美主客体的对应原理进行静态分析,对艺术魁力的个体生成进行动态考察,最后进一步分析艺术魁力的普遍性、永恒性的秘密,揭示艺术魁力群体发生的内在机制。在这种系统分析的基础上建立了艺术魁力的结构模式以及它的个体发生和群体发生模式。作者企图突破对艺术魁力现象的经验性描述,而采用科学的分析方法,以建立新的关于艺术魁力的系统观念。
This article attempts to use system science to make a new exploration of the complicated phenomenon of art charm, and regards it as a generative concept. It is not a purely objective attribute of literary and artistic works, but a product of aesthetic system movement. Its realization is A build process. Therefore, understanding the complex phenomena of artistic charm must reveal the intrinsic mechanism of the aesthetic system movement in depth. The article first describes the connotation structure of artistic charisma, then analyzes the corresponding principle of aesthetic subject and object objectively, and makes a dynamic investigation of the individual charisma of art. Finally, the author further analyzes the universality and eternal secrets of artistic charisma and reveals The inner mechanism of artistic charismatic groups. Based on this systematic analysis, we establish the structural model of artistic charisma and its patterns of occurrence and group occurrence. The author attempts to break through the empirical description of the phenomenon of art charisma, and adopt scientific analytical methods to establish a new system on the charm of art.