一九七五年,我有幸参加一个地区的创作剧目调演。休息时间,有几个同志为戏中一件道具发生了争论。有位同志提出,在一出戏里主人公拿着舀粪勺子(指那件道具)又唱又舞很不符合舞台上“美”的要求。他认为尽管美术师煞费苦心地把它打扮一番,但甚至它是件金粪勺,也不能改变观众对生活中真实粪勺的联想,它给人的不是美感。这一意见立即遭到反 In 1975, I was fortunate enough to attend a regional repertory theater. During the break, a few comrades argues for a prop in the show. One comrade suggested that singing and dancing in a play with a scoop spoon (referring to the props) did not meet the requirement of “beauty” on the stage. He believes that even though the artist painstakingly dressed it up, even it is a gold spoon, and it does not change the audience’s association with the real man in his life. It gives no sense of beauty. This opinion was immediately reversed