近几年中国艺术市场的发展,使得“艺术品经纪人”已不是一个陌生的名词。在国外,艺术品经纪人制度已经日趋完善且艺术经纪人也真正充当起了艺术家和藏家之间的重要的链接枢纽。在国内,“艺术品经纪人”虽然已经并不陌生,但因行业发展原因,经纪人的作用并未得到充分发挥和实施。一级艺术市场与二级艺术市场存在着严重跳级现象,这与我国艺术市场经纪人制度的不规范和艺术经纪人制度的缺失有着一定关系。艺术市场对于“艺术品经纪人”的呼唤一直处于“焦虑”状态, In recent years, the development of the Chinese art market has made “art dealer ” not a strange term. Abroad, the system of art dealers has become increasingly sophisticated and art dealers have also truly acted as important linkages between artists and collectors. In China, “art dealer” is no stranger to this problem. However, due to the development of the industry, the role of broker has not been fully realized and implemented. There is a serious jump phenomenon between the first-class art market and the second-class art market, which is related to the non-standardization of the art market broker system in our country and the absence of the art dealer system. The art market’s call for “artwork broker” has been in an “anxious” state,