白琳的厉害在于漫不经心。漫不经心的叙述,漫不经心的渗透,漫不经心的结构,一切都好像是漫不经心的,但是,却就是这种漫不经心让人在漫不经心中落入她布好的圈套里,去思,去想,去痛……她把文字的艺术性随意支配,就像吃饭喝水一样的随意。但是,在这种随意之下,应该是一种天才般的领悟。她会把最不起眼的,最平常可见的,被人说得不想再说的东西拿来说出一种艺术。漫不经心了就肯定是不动声色的。许多人写文章总是希望找到一种惊天动地的表现,至少想不一样。就像许多人学加 Bai Lin powerful is careless. Undesirable narrative, careless infiltration, careless structure, everything seems casual, but it is this kind of carelessness in the casual fall into her cloth snare, to think, to think, to pain ... ... She is free to manipulate the artistic nature of the text, just as she likes to eat and drink. However, in this arbitrary, it should be a genius-like comprehension. She would bring out the art of the most obscure, the most common visible thing that people do not want to say anymore. Unpredictable is certainly quiet. Many people write articles always want to find a earthshaking performance, at least not the same. Like many people learn