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我在《考古》1985年12期发表的《略论曲阜“东安汉里画像”石》一文,对保存在曲阜孔庙里一组著名的零散画像石进行了建筑复原,论证了它的石椁墓组合性质、画像内容与布局意义以及其所处的时代特征,把这组画像石作为一个整体的石椁墓画像来认识,并纳入汉画像石考古分期的系列之中,以更好地显示它的文物、考古价值。文中又释读了其中一块画像石(即编号第一石、复原后位于椁中间隔板的一块)上面的“山鲁市东安汉里禺石也”题字,说明是鲁县以东安汉里的一处石墓,所认这组画像的名称可称为“安汉里画像石”或“安汉里禺石画像”。
In my article “Archeology”, published in December, 1985, “A Brief Introduction to Qufu”, “Portrait of Dongan Hanli” and “Stone,” I carried out architectural restoration of a group of famous scattered portraits preserved in Confucius Temple in Qufu, demonstrating its stone The nature of the composition of the tombs, the content and layout of the images, and the characteristics of the period in which they were located make this portrait stone as a whole a portrait of the stone tombs and incorporate them into the series of ancient Chinese stone archeological staging to better Display its artifacts, archaeological value. The text also read one of the portraits of a stone (ie number the first stone, located in the middle of the partition after the restoration of a piece) above the “Shan Lu Dong’an Hanli Yu Shi Shi” inscription, A stone tomb, recognized by the name of the group of portraits can be called “An Han portrait stone ” or “An Han Riyu stone figure ”.