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书法的自觉表现在行为者依托书写的行为,表达自身的情感和从笔墨中表达隐隐的情绪,这种自觉呈现在书写上的特征已经不再是对语言实用性的文本再现,更不具对自然物象的模仿意味,而演变为利用高度抽象的文字符号去表达某种精神内涵,它所承载的已经超脱于文字的形态本身,体现了“天人合一,物我两忘”的哲学境地。文章从西方美术发展自律观的角度分析中国书法的演变,探讨从“模仿”走向“表现”的发展过程。
The conscious expression of calligraphy in the act of relying on writing behavior, express their emotions and expression of faint emotions from the pen and ink, the characteristics of this self-conscious expression in the writing is no longer on the language of practical text reproduction, not to nature The imitation of objects and objects evolves into the use of highly abstract text symbols to express certain spiritual connotations. The philosophies that it inherits from the text itself and reflects the unity of man and nature situation. The article analyzes the evolution of Chinese calligraphy from the perspective of self-discipline in the development of western art, and discusses the development process from “imitation ” to “performance ”.