近年来,我国银幕上常常出现某种“热”。仅在题材和改编问题上,就有“开放”热,“回归”热,“恋爱”热,“武打”热……一种题材或一个作品是个冷门,于是便一窝蜂扑上去,就由冷变成热。这种“热”且不说人力、物力上有多大的浪费,单从艺术的角度看,它直接导致了创作的公式化,形象的类型化,情节的雷同化,思想的概念化,极大地影响了作品反映社会生活的广度和深度。近观影片景物描写又出现了新的“热”流,新近出现的“九寨”热便是其中的一例。君不见《李冰》、《熊猫历险记》、《自古英雄出少年》、《神奇的 In recent years, there has always been some kind of “heat” on the screen of our country. Only in the theme and adaptation issues, there are “open” hot, “return” hot, “love” hot, “martial arts” hot ... ... a theme or a work is a hit, then swarm rush, Into heat. This kind of “hotness”, not to mention manpower and material resources, wastes much. From an artistic point of view, it directly leads to the formulation of the creation, the type of the image, the assimilation of the plot and the conceptualization of the thought, greatly affecting Works reflect the breadth and depth of social life. Near-view film scene description has emerged a new “hot” stream, the recent “Jiuzhaigou” heat is one example. Do not you see “Li Bing”, “Panda Adventure”, “Heroes out of a juvenile,” "magical