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苏联的斯坦尼斯拉夫斯基和德国的布莱希特,是当代世界上有名的两大戏尉表演流派的代表,他们的戏剧观和表演理论极不相同。斯坦尼斯拉夫斯基主张演员深入体验角色感情,表演要求逼真,从而把观众带入到戏里规定的情景中去。布莱希特则主张演员犹如事件的目睹者,向观众叙说故事;表演剧中人时,要使观众十分清醒地意识到自己只是在剧场里看戏,要善于思考戏中发生的一切,促使观众对那些熟视无睹的社会现象产生新的见解、新的认识。
Stanislavski of the Soviet Union and Brecht of Germany are the representatives of the two famous opera troupes in the contemporary world. Their theory of drama and acting are extremely different. Stanislavski advocates the actors to experience the feelings of the characters in depth, realistic performance requirements, so that the audience into the scenes specified in the scene to go. Brecht advocated acting like the witness of the incident, narrating the story to the audience. When performing the play, let the audience know very clearly that they are just watching the theater in the theater and are good at thinking about what happened in the play, The audience creates new insights and new understandings of those social phenomena that are neglected.