想起陈佩斯和朱时茂演的小品《主角和配角》,陈佩斯争着抱着要演主角——正面人物,可惜的是他那幅尊容,穿上龙袍也不像太子,活脱脱还是一个打入我军内部的特务。而朱时茂呢,就算是穿上贼服,也还是一个打入敌军内部的地下工作者形象。两个人一正一谐的表演让人大笑不止。我们之所以不认同陈佩斯所扮演的正面人物,除了小品本身的夸张搞怪之外,还缘自于长期以来我们心目中对于好人、坏人模式的认同。仪表堂堂、风度翩翩的一定是正面人物,贼眉鼠眼、探头探脑的一定是反面人物,这种过于一分为二的划分法虽然已经被认识到了它的片面和缺陷,但是还依然存在于人们的心理认识结构当中,自觉不自觉地就支配了我们的判断和行为。 对反面人物进行小丑化的演绎,是和特定的民族审美习惯以及特定的时代观念息息相关的。京剧是我国影响最为深广的一门传统艺术,京剧对角色的划分就有着非常模式化的限定,谁忠谁奸往往一看即明。这种脸谱化的划分,是京剧的一种特色, Recalling Chen Peisi and Zhu Shih-Mao plays the protagonist and supporting role, Chen Peisi fight to hold the protagonist to play - the positive character, but unfortunately he is the respect, wearing a robes nor prince, live or take off into a Our military’s spy. Zhu Shimao it, even wearing a thief service, is also an underground enemy into the enemy’s image. Two people a harmonious performance makes people laugh more than. The reason why we disagree with the positive figures that Chen Peisi plays is that apart from the exaggeration and ridiculousness of the scraps, we still feel our long-standing agreement on the model of good and bad people. Dignified appearance, graceful must be a positive figure, a thief and eyebrows, the probe of the brain must be the opposite person, this is too divided into two division method although it has been recognized one-sidedness and defects, but still exists in people’s psychological understanding Structure, consciously or unconsciously dominate our judgments and behaviors. The deconstruction of the negative figures is closely linked with the specific national aesthetic habit and the specific concept of the times. Peking Opera is one of the most profound traditional arts in our country. Peking opera has a very limited definition of its role. This kind of sharpening division is a peculiarity of Peking Opera,