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中国独立的女性艺术始于20世纪初。1929年《妇女杂志》教育部全国美术展览专号介绍了潘玉良的粉画《顾影》,评说画中人物表情可比拟蒙娜丽莎之微笑,并认为“女士有此作,不独在近时可被称为女界之艺杰,即方之于其他一切作家,恐也多未能及者!”画中女子斜倚圆桌,双腿交叉,揽镜自顾,姿态可以说不是很美,而将其同达芬奇名作相提并论,未免使人疑惑。在这里我们需要考察的是那个时代的社会现实。当时新兴的妇女学理论认为,妇女问题首先是社会问题,坚持妇女解放是社会解放的深度、革命胜利的标志。陈独秀也说,妇女解放的根本解决在社会主义。首倡“以美育代宗教说”
China’s independent female art began in the early 20th century. 1929 “Women’s Magazine” Ministry of Education National Art Exhibition introduced Pan Yuliang’s powder painting “Gu Ying”, commented that the face of the painting can be compared to the Mona Lisa smile, and that Can be called the art genre of the female world, that is to say, to all other writers, there is more fear than any other! “The painting recounts that the woman leans on the round table with her legs crossed and looks like a mirror. The United States, but its masterpiece with the da Vinci par, is undoubtedly puzzling. Here we need to examine the social reality of that era. At that time, the emerging theory of women’s studies at that time held that women’s issues are, above all, social issues and that the emancipation of women is a sign of the depth of social liberation and the victory of revolution. Chen Duxiu also said that the fundamental solution to the emancipation of women is socialism. Initiation ”Aesthetic Education on behalf of Religion "