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中国文学史上有一个反复出现的相似的文学现象：许多朝代新建后常经历50年到100年左右的文学沉寂阶段才迎来文学的繁荣；各朝立国初期文学功能常囿于单一模式，歌功颂德成为文学主调；必经革新力量的推动，才展现文学发展的新局面．透过这些相似点可得到几点规律性认识：文学片面地维系于直接的功利观念，艺术规律受到抑制，将阻遏文学的兴盛；大学繁荣离不开对文学审美特征的把握．而审美理想的成熟与广泛认同，是文学繁荣的必备条件；文学发展历程盛衰相生，衰而启盛，盛中含衰，衰而求变，变复启盛。这种发展轨迹值得深思。
There is a recurring similar literary phenomenon in the history of Chinese literature: many dynasties ushered in the prosperity of literature after their new literary creation of 50 to 100 years after the foundation of new dynasties. In the early years of each nation, the literary functions were often in a single mode, The main theme of literature; only by the promotion of innovative forces, only to show the new situation of the development of literature. Through these similarities, we can get some regularity cognition: literature is one-sidedly maintained by the direct utilitarian concept, the law of art is restrained, and the rise of literature will be deterred; the prosperity of the university can not be separated from the literary aesthetic characteristics. However, the mature and widely accepted aesthetic ideals are the prerequisites for the prosperity of literature. The course of literature development is characterized by the ups and downs, the deteriorating and the prosperous, the prosperous and the deteriorating, the changing and the recovering. This development path is worth pondering.