当克里斯多夫参观完地球展览馆时,他请的博物馆导游到了。他望着莫奈《睡莲》这幅画,觉得这次他所投入的感情比以往两次短暂的婚姻还要多。虽然这幅画已经镶上新的画框, 但是仍和他50年前见过的一模一样。他凝望着画中静谧的睡莲、摇曳的柳枝,开始联想到岁月留在他身上的印记——衰老、创伤以及苦痛。但现在这些都无关紧要了。同样的人,不同的心情。他明白 When Christopher visited the Earth Exhibition Hall, he invited the museum tour guide arrived. He looked at Monet’s “water lily” painting, feeling that he had invested more in this relationship than in the two previous brief marriages. Although the picture is already framed in a new frame, it is exactly the same one he had seen 50 years ago. He stared at the still water lilies and swaying willows in his paintings, reminiscent of the marks left on him - aging, trauma and pain. But now it does not matter. The same people, different moods. He understands