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《雪国》主要采用了比较细腻和平淡的笔触描写了一段称不上缠绵悱恻的爱情。相比较其它的爱情小说,它更像是一湾涓涓的青溪,干净而纯美,又带着淡淡的感伤和哀愁。作为川端康成的经典和顶峰之作,它也必然浸透了作者的情感价值观。而作为“最日式”的代表作家,川端康成的情感也或多或少地沾染了日本文学的传统美。正像作者所说,平安朝的物哀是日本美的源头,而悲哀和美是共通的。本文试图以《雪国》为契机,从情感风格,情感态度以及情感推崇三个方面来分析川端的情感世界。
“Snow Country” mainly uses a more delicate and plain brush strokes describe a period of love can not be described as lingering. Compared to other love novels, it is more like a small stream of Green Creek, clean and pure, with a touch of sentiment and sadness. As Kawabata Masanori’s classic and the pinnacle of work, it is bound to infiltrate the author’s emotional values. As the representative writer of “the most Japanese style”, Kawabata Yasunari’s emotion is more or less contaminated with the traditional beauty of Japanese literature. As the author put it, the sorrows and sorrows of the Ping An dynasty are the source of Japanese beauty, while sorrow and beauty are common. This article tries to use “Snow Country” as an opportunity to analyze Kawabata’s emotional world from three aspects: emotional style, emotional attitude and emotional esteem.